EXT- CATHAY- NIGHT
Past the forest line, deep in the valley, roads appear. Great bridges line the rocks. Ancient buildings grow from the grass. All of it speckles the land, stretching out from a greater density.
The center of which is glowing with flames. The center is the kingdom Cathay.
EXT- BARRICADE- NIGHT
A tree crashes into place as MEN hack the ends to points. Caravans of horses cart in even more wood as thousands of MEN dig and chop and forge the outer wall.
EXT- CATHAY KEEP- NIGHT
|
SOLDIERS and horses sweat with the PEASANTS: all of them rushing through the kingdom. But, above the panic, the Castle Keep glows in peace.
The castle is old, broken. It's a relic, once a mere decoration of urban gothic - now a monolith amidst the cottages and stone towers.
High above, its wind-worn gargoyles watch the people below.
And, with them, stretched across one's back, is AGATHA.
She looms over the populace, a shadow in her black silks, eves dropping on their babble far below. Ignoring the chill against her lean feral body, her sharp ears sift through the conversing din, waiting for something of interest.
|
When it's found, her wild eyes brighten, allowing one voice to come in crystal clear.
|
MAN (os)
Why are you doing this?! It's a
cure!
|
|
With an arrogant air, she stands before the ants and, on an edge hundreds of feet up, saunters into darkness.
EXT- CATHAY KEEP GARDEN- NIGHT
TWO SOLDIERS drag a MAN to a back door of the moonlit garden. No one else is there, just them and the quiet.
|
MAN
Please, my wife is dying.
|
|
But his pleas slow them not. They throw him down, pinning him to the stones. But they freeze to the creek of the oak door.
Not just the man, the guards too, all three peer in terror.
|
GUARD
See? She always knows.
|
|
Like meek dogs, the guards back off, leaving the man to hide his face from AGATHA's bare feet. His trembles have made him mute.
Gracefully, she kneels to him, caressing his gaze to hers.
|
AGATHA
The people stay as they are,
death and all. And he who
changes must be damned before he
damns us. As proclaimed by your
majesty, Rhineback.
|
|
His stutters quicken, feeling a sash slip over his face.
|
MAN
Even... even parliament wants
this.
|
|
|
AGATHA
That's why you're here.
|
|
In an instant, her fingers stab into his neck, bleeding him under the silk. He spasms but her embrace is inescapable.
His body is hers.
Blood gurgling into his lungs, the man chokes, his breath leaving with his life. Gently, she lulls him into death, cradling him in tender care.
|
AGATHA
(cont'd)
Now sleep in grace.
|
|
She closes his eyes.
The men don't make a sound. They keep their jaws locked before her.
Laying him on the cobbles, Agatha wipes her fingers, admiring her handy work.
But then the wind touches her nose, alerting her. Suddenly, Agatha is scanning the woods, piercing her sight into the shadows until the object is found.
She signals the guards. They draw swords. The ferocity in her voice unfeigned, she calls the darkness.
|
AGATHA
Come into the light.
|
|
|
MAGWITCH (os)
I see Rhineback has kept his
policy.
|
|
|
From the forest, a hideous mess of a man appears - MAGWITCH. Entering the white of the moon, he reveals his face plus the puss and flesh dripping from it.
|
AGATHA
(cont'd)
A leper, kill it.
|
|
The guards advance, but Magwitch offers his warning medallion, dangling its glare in Agatha's face.
Like a switch, they halt. Staring into its brilliant glow, she knows what it means.
|
MAGWITCH
Oh, I am no leper. And Rhineback
needs to see me.
|
|
|
|
|
AGATHA
I doubt he wants to see you.
|
|
|
MAGWITCH
Trust me, I'm not here for that
cow's pleasure.
|
|
A smile slinks up her cheek and she gestures the men.
Leaving the corpse behind, she eyeballs Magwitch and saunters to the door.
|
AGATHA
(cont'd)
Well, come on.
|
|
Agatha then welcomes him into the keep.
INT- CATHAY KEEP- NIGHT
Like an impressed pupil, AGATHA escorts the limping MAGWITCH down the torch lit ancient halls. His foxy glare doesn't leave her, analyzing her every move.
Feigning disinterest, he opens his interrogation.
|
MAGWITCH
I see Rhineback has taken a new
queen.
|
|
|
AGATHA
An honor worthy of his first
mistress.
|
|
|
MAGWITCH
What happened to the last queen?
|
|
|
MAGWITCH
No wolves in these parts.
|
|
|
AGATHA
It was in her bed.
|
|
She gives his suspicious eye a smile.
|
AGATHA
(cont'd)
It was a very clever wolf.
|
|
Not his problem, he shoves past her, going straight to Rhineback's quarters. With one hand, she holds the GUARDS at bay and lets him barge in.
INT- RHINEBACK'S QUARTERS- NIGHT
Ramming the doors open, MAGWITCH storms into the plush, golden room filled with soft couches, statues, a steel incubator, and a wall of a thousand skulls.
His ears perk to the crackle of a hollow intercom.
|
RHINEBACK (on intercom)
Who speaks to me?
|
|
|
MAGWITCH
The self-righteous jackass.
|
|
There's silence from the tomb. Then...
And with disdain...
|
RHINEBACK (on intercom)
Magwitch?
|
|
|
MAGWITCH
Where the hell is my key?
|
|
Hydraulics spit and the incubator thrusts open. From inside RHINEBACK ogles him bug eyed. Which is easy to do with his skin still growing back.
|
RHINEBACK
Who let you in?
|
|
Leaping out, the juicy king throws a robe on, pacing about as hair slithers from his pours.
|
RHINEBACK
(cont'd)
That infernal...
|
|
He stops, back turned to Magwitch, muttering to himself.
|
RHINEBACK
(cont'd)
Agatha, the witch-queen.
|
|
His patience at an end, Magwitch interrupts Rhineback's personal conversation.
|
MAGWITCH
Not my problem... Which immortal
is trying to take my Bianox.
Morgan, Calisto, Samson, you?
|
|
Regaining his composure, Rhineback faces the festering old man.
|
RHINEBACK
Calisto is dead. So's Samson.
Morgan's out fighting. And I'm
here protecting.
|
|
He suddenly turns soft and very grim.
|
RHINEBACK
(cont'd)
It's another army, an army of
the old ways.
|
|
Coming closer, Magwitch searches the king with his bright stare.
|
MAGWITCH
There are no other immortals. No
one with the genetic know how.
|
|
Rhineback almost laughs.
|
MAGWITCH
Even with his skull on the wall.
|
|
|
RHINEBACK
His whole skeleton.
|
|
The skull wall has one spot that is separate, special from the other bones. It has but one whole body there; and, from it, Rhineback dislodges the skull.
Keeping his sad but happy air, Rhineback tosses the head to Magwitch, lamenting when it breaks like dusty leaves.
Awe now has Magwitch, his foxy glare fading into nothing but dread.
|
RHINEBACK
His own brand of practical joke.
You killed a make shift clone,
Magwitch.
|
|
Mind reeling, his persistence dissolves into panic.
|
MAGWITCH
Give me the key.
|
|
|
MAGWITCH
I can protect it better than you.
Even use it to destroy the Bianox
for good.
|
|
|
RHINEBACK
That's why you won't have it.
|
|
|
MAGWITCH
Dammit, Rhineback!
|
|
Both men are against the ropes, Rhineback being the one to restore calm.
|
RHINEBACK
(cont'd)
A gift which we've been retraining
humanity for the past four
hundred years. Getting them
ready for the day when they can
understand and respect it.
|
|
|
MAGWITCH
They will never be ready.
Humanity is unbounded, forever.
You're holding onto a curse.
|
|
|
RHINEBACK
And you're consumed by your
cynicism. The key stays here,
with those who cherish the
Bianox as much as they fear it.
Guards!
|
|
The GUARDS enter and, from Rhineback's tired wave, grab and pull Magwitch.
|
RHINEBACK
Fear not, Magwitch. We have
Morgan. He can hold back the
fray.
|
|
EXT- BATTLEFIELD- NIGHT
MORGAN lies bleeding on the scorched grass, cringing at the sight of ALDRIC coming over him. He sets his sword's tip on the dying man's belly and pushes in. Too weak to scream, Morgan groans.
Breaths skipping, he forces out a defiant curse.
|
MORGAN
You'll never find it. In a
million years, you'll never find
it.
|
|
|
ALDRIC
You mean the kingdom guarding
the key?
|
|
With a smirk, Aldric leans closer.
|
ALDRIC
(cont'd)
Our spy is already in its king's
bed.
|
|
That smirk spreads wide.
INT- QUEEN'S QUARTERS- NIGHT
AGATHA checks her teeth in the mirror - pokes and prods them with her tongue. Her eye is next, a clumsy finger petting the contact.
But, despite all the preoccupation, she still notices the glint of HELGA's eyes from the darkened rafters.
|
AGATHA
You should keep your eyes closed,
they reflect.
|
|
|
HELGA
Now, you're queen. Aldric would
be proud.
|
|
Without a sound, Helga slinks to the floor, Agatha checking her other eye.
|
AGATHA
Yes, let him grin wide. So I can
chop it off cheek to cheek.
|
|
Like a ghost, she rises behind Agatha, petting her shoulders.
|
AGATHA
(cont'd)
Does he suspect anything?
|
|
|
HELGA
As far as he's concerned, you're
as loyal as ever. Can you get
the key?
|
|
Leaving her face, she locks eyes with Helga's reflection.
|
AGATHA
Rhineback refuses to think this
place is unsafe. Until then the
key remains locked in its shrine.
|
|
Helga whips in front of the mirror, making her urgency clear.
|
HELGA
Aldric will be at the gates in
an hour.
|
|
|
AGATHA
And a war will not only force
Rhineback to remove the key, but
give him less soldiers to fend
me off.
|
|
Agatha smiles, lightly pinching her cheek.
|
AGATHA
(cont'd)
Magwitch is here.
|
|
|
AGATHA
Long enough to know he's harder
than getting the key.
|
|
Agatha pushes the chair back, lifting Helga to her feet. She gropes her, checking her body.
|
AGATHA
(cont'd)
How has Aldric been treating you?
|
|
Helga tries to resist, but grudgingly surrenders, letting Agatha find the glossy scab behind her neck. Agatha goes cold.
|
HELGA
(cont'd)
It's nothing.
|
|
She forces Helga to look at her.
|
AGATHA
It's an electrical burn.
|
|
|
HELGA
To celebrate his victories, he
had some interrogation machines
redesigned. But it's only the
harmless ones.
|
|
Eyes glistening, she just hugs Helga, holding tight.
|
AGATHA
Soon my sister, soon we will be
his slaves no more. And soon
after, we'll give the world that
same kindness.
|
|
In the quiet, they stay bonded together.
EXT- INNER WALL- NIGHT
GUARDS throw MAGWITCH from the gate, RHINEBACK giving him a send him off.
|
RHINEBACK
You served your purpose in time.
Now, please, go away.
|
|
|
MAGWITCH
At least get better men - ones
who can actually fight an army
of the old ways.
|
|
|
RHINEBACK
I would, but where can I find
men of such caliber.
|
|
EXT- BARRICADE- NIGHT
With a dead face, the GUARD eyes both JOHN and BOB. Bob smiles with LUCY's snort. John just waits.
|
JOHN
Dragons, fairies, orcs.
|
|
|
GUARD
How did you hear about this?
|
|
John stops him.
|
JOHN
It's kinda hard to keep this a
secret.
|
|
He gestures to the long and tall spiked barricade of freshly cut trees.
A jury-rigged armored wagon is wheeled aside and the guard charges through.
|
BOB
Should've told him about the
girl.
|
|
|
JOHN
That's why I do the talking. Get
her name?
|
|
|
JOHN
Probably a damn witch.
|
|
John looks back to the sharpened trees.
Bob points out the cannons to him.
|
JOHN
Cannons... lots of them.
|
|
John notices the oddity, questioning Bob with an arched brow.
|
JOHN
What the hell are we getting
into?
|
|
INT- QUEEN'S QUARTERS- NIGHT
Dressed in armored leather, AGATHA chambers a round into her pistol, stuffing it deep into the thick lining of her matching dress.
HELGA peers out the window, still keeping to the shadows.
|
AGATHA
Have you drudged up any support?
|
|
|
AGATHA
Still thinks Aldric's a god?
|
|
|
HELGA
It's a hard thought to break.
|
|
Suddenly, she perks up, joyously surprised by what she sees.
|
HELGA
(cont'd)
I don't believe it. They came.
|
|
Gesturing Agatha to the window, Helga points out the sight.
|
HELGA
(cont'd)
Look there.
|
|
From the window she's shown JOHN on horseback, and BOB and LUCY being brought in by the guards.
|
AGATHA
Why do I need them?
|
|
|
HELGA
You wanted men with experience.
|
|
Agatha arches an eyebrow.
|
HELGA
(cont'd)
They're exterminators.
|
|
Perplexed, she stares at John.
EXT- INNER WALL- NIGHT
JOHN spots AGATHA in the window, meeting her eyes. BOB looks to him.
|
JOHN
I think I just caught the
queen's eye.
|
|
Stumbling from the wall, MAGWITCH spots John and Bob.
Energized despite his decay, he races past Bob and LUCY. Fending off John's defensive foot, Magwitch latches on and pulls.
|
MAGWITCH
I'm no leper. Get down here.
|
|
Using all his weight, he yanks John to the ground, leaping on top. Disregarding the puss dribbling from his face, Magwitch forces John to bring his ear close.
|
MAGWITCH
(cont'd)
Get the key. Save the world.
You are the only one who can.
|
|
|
JOHN
You're dripping, man!
|
|
Bob pulls Magwitch up. He breaks free, staggering from them.
|
MAGWITCH
(cont'd)
Head for the mountain. I'll find
you. Adventure of a lifetime.
|
|
He darts away, Bob picking John up and getting slapped away for it. Wiping off the dust, John tries to reclaim some dignity.
|
JOHN
Just another day on the job.
|
|
INT- QUEEN'S QUARTERS- NIGHT
AGATHA, inspired, grins wide to a stunned but equally jubilant HELGA.
EXT- CASTLE- NIGHT
A GUARD approaches JOHN and BOB.
|
GUARD
We'll take your weapons and
horses. The Queen will have an
audience with you.
|
|
|
BOB
She was looking at me.
|
|
LUCY nuzzles close to Bob. He gives her mane an open hand noogie.
|
BOB
Don't worry girl. I'll find you.
|
|
He lets the GUARDS take her, following John to the keep.
EXT- CATHAY COURT- NIGHT
Wagon wheels chatter over the cobbles as SOLDIERS haul supplies to the inner wall. The GUARDS stop JOHN and BOB at the court's empty center. They say nothing. Just let them stew in silence.
After a couple impatient fidgets, John breaks the ice.
|
JOHN
So, you think you guys need us?
|
|
|
GUARD
Don't know. Ask the queen, her...
grace comes now.
|
|
John then hears the echoes of Agatha snapping and shouting in the walls. He huffs to the guard, smiling. The guard's look back is not funny.
|
RETAINER (os)
Rhineback has to be aware of
everything.
|
|
|
AGATHA (os)
This is my own personal affair.
Rhineback need not be bothered.
|
|
AGATHA barges into the court with a very young RETAINER. He's a slim boy, having more elegant features than raw muscle.
The DOGS, that were quiet before, now bark and howl at her, almost drowning them out. John's grin disappears.
Over-stepping his bounds, the retainer grabs her, stopping them accidentally at the frenzied hounds. She turns to him, her face brighter, hungry for a fight.
|
RETAINER
We were supposed to leave at
sunset. Now, you've invited two
strangers.
|
|
Eyes sharp on him, she comes closer, making the boy stutter.
|
RETAINER
As your retainer...
|
|
She stops his chatter with a touch, breathing deep his scent.
|
AGATHA
Picked not for his strength, but
for his bait.
|
|
|
RETAINER
It is beyond questionable.
|
|
|
AGATHA
You are such a pup.
|
|
In that instant, on impulse, she has whipped to one snapping mutt, backhanding it hard.
Its yelp makes everyone jump, Agatha honing her rage on the boy. He's frozen.
|
AGATHA
(cont'd)
Ask this: whom would you rather
contend with, him or me?
|
|
Holding his innocent nerves, he surrenders a quiet bow and runs back to the keep the juvenile he is.
Still seething, her fiery eyes find John and Bob, composing her self but keeping her command.
|
AGATHA
(cont'd)
You two: your names.
|
|
He elbows the silent John.
She marches off, not even looking to see if they do follow.
|
AGATHA
(cont'd)
I won't need any guards.
|
|
Bob drags him along.
EXT- TOWER- NIGHT
At his cannon, a SOLDIER meanders in the small space he has. That is, until he faces the hillside. Stopping dead in his tracks, he's left with his mouth open to the wind.
EXT- BARRICADE- NIGHT
The toil of the MEN is interrupted by a drawn out shout from above.
|
SOLDIER(os)
Eyes to the north! Eyes to the
north!
|
|
Those men snap up from their labor, eyes going where told.
EXT- BALCONY- NIGHT
From above, RHINEBACK hears the echo of the soldier's voice. He too gazes for north.
There, fingering over the distant hills, is the black form of the ARMY. Like a coming storm, it's engulfing the landscape, swallowing it into darkness.
Interrupting his awe is a SOLDIER whispering in his ear.
What he says makes Rhineback gawk and, despite doom on the horizon, he goes.
INT- STRONG ROOM- NIGHT
The walls are lined with lush piles of gold and silver, the chests and crates billowing over with riches. There is but a small keyhole space for walking or standing - enough for AGATHA, JOHN and BOB.
Perching her butt on a chest, she waits, allowing them to revel. Which Bob does, ogling the metals with a deep breath and hoot. He slaps John's shoulder, egging him on with an arched brow.
But John isn't buying. Instead, he keeps his searching gaze on Agatha, ignoring her inviting stare.
The lacked response burns her and she's down to business.
|
AGATHA
Have you ever heard of the
Bianox?
|
|
|
JOHN
A leper told me about it once.
|
|
|
JOHN
Magwitch lach Feragh.
|
|
She scoffs.
|
JOHN
(cont'd)
You know him?
|
|
|
AGATHA
Yes. What did he tell you?
|
|
|
JOHN
It had something to do with
power.
|
|
|
AGATHA
It is the greatest power: the
most dangerous of powers. And I
need to destroy it.
|
|
|
JOHN
Nice to have a hobby.
|
|
|
AGATHA
And as long as it remains, the
whole world is at stake. Every
living thing is at stake.
|
|
|
JOHN
That's fine, but what do we get?
|
|
|
AGATHA
Is money all it will take?
|
|
She digs up a pouch, extending it to John. But she exploits the chance and captures his hand, studying it.
|
AGATHA
You keep yourself very clean,
don't you?
|
|
The oddity makes John stutter, sigh.
Her confidence back, she releases him, freeing John to check the pouch. From it, he reveals a pristine gold coin.
|
AGATHA
It's the purest gold, the finest.
That pouch alone makes you a
wealthy man.
|
|
Without question, John slips the whole pouch into his belt pack.
|
JOHN
I'm not saying we have a deal.
|
|
|
AGATHA
We will and it's simple. Inside
this castle, lies the only thing
that can open the Bianox. It's a
key. Without the key, no one
can wield its power. It's
useless.
|
|
|
JOHN
And I take you want us to steal
that key thing?
|
|
|
AGATHA
And follow me to the mountains
with it.
|
|
|
JOHN
Just over a pouch of gold?
|
|
|
AGATHA
Fine, the whole chest behind me.
|
|
|
JOHN
I think I'll stick with the
pouch.
|
|
He goes.
|
AGATHA
You think you know better?
|
|
|
JOHN
Better enough not to fight for
someone else's lose cause.
|
|
A glance from her to Bob.
Humbly, she retires to a lone corner and sits it out. John lets Bob catch up, turning their backs but keeping close watch of her.
|
JOHN
Not to knit pick the obvious,
but there's something very wrong
here.
|
|
|
JOHN
Feel what? What should I feel?
|
|
Bob tips his chin to Agatha.
|
BOB
(cont'd)
We'll do it.
|
|
The words stun him, taking the flabbergasted John moments to blurt out.
A bang punctuates his shout as RHINEBACK rams past the oak door with his GUARDS.
John's hard glare snaps to her girlish lip biting.
|
RHINEBACK
Why haven't you left?
|
|
|
AGATHA
Just exploring alternatives,
your majesty.
|
|
|
AGATHA
In the event you realize the key
can't be protected here.
|
|
John whispers to Bob.
But, before they can move, Rhineback waves the guards out.
They close him in with her, and John and Bob.
|
AGATHA
You can't compete.
|
|
|
RHINEBACK
With your strategy?
|
|
|
AGATHA
You don't have the equipment.
Nobody has the equipment.
|
|
She pauses, calmed by her understanding.
|
AGATHA
(cont'd)
If I thought we had a chance, I
would back you.
|
|
But Rhineback's still steaming.
|
AGATHA
I want him dead more than you.
|
|
Feeling Rhineback's leer, John bows and waves an apology. The king scowls.
|
RHINEBACK
Cannons pointed to the sky.
|
|
|
AGATHA
And worse things will follow.
|
|
|
RHINEBACK
And I will not lose my command,
for whatever you think is right.
|
|
|
AGATHA
A grand thanks for relieving you
of your wife.
|
|
His eyes stab her, she stabs back: both of these royal titans ready to blow.
|
AGATHA/RHINEBACK
Shut-up!
|
|
More waved apologies from John. Rhineback's fuming. But Agatha realizes something.
|
AGATHA
They're here, aren't they?
|
|
He kicks the door, ordering the guards back in.
|
RHINEBACK
(cont'd)
Bring them. Let's show these
boys what they're up against.
|
|
Before Rhineback leaves, Agatha takes hold of him.
|
AGATHA
Soon, Rhineback, no matter the
sting to your pride, you will
have to trust me.
|
|
He hears her, but he also eyeballs her from the gut up. Though it's not her thick leathers that shock, but that there's metal plates sown in.
|
RHINEBACK
You're wearing armor.
|
|
|
AGATHA
Yes, your majesty, it is a war.
|
|
Moving past, she saunters out her own way, leaving Rhineback even more frustrated.
EXT- CATHAY BALCONY- NIGHT
RHINEBACK welcomes AGATHA, JOHN, and BOB to the edge, and to the view of the hillside. They see it on the moonlit landscape - the army. But it has no organization: no square blocks of disciplined troops.
It is just one jagged shadow threatening the kingdom edge - pure black death.
Smiling Bob's giant hand grabs John's shoulder, dragging him close to his annoying "I told you so."
|
BOB
See what happens when you take the
honest scores.
|
|
Blinking, John, probably again, gets the epiphany that Bob will surely lead him to his death.
|
JOHN
The gods sent you to mock me
didn't they, Bob?
|
|
A hardy pat and Bob leaves John to make the most and work.
|
JOHN
(cont'd)
So what do you got?
|
|
|
AGATHA
They're trained in concept. But
they've never actually fought
anything like this before.
|
|
|
JOHN
Give me ten men, we can spread
the word about something...
|
|
Agatha touches the king.
|
AGATHA
Indulge me. Please?
|
|
He just broods.
She leans in close and whispers.
His face turns to her, turns to her slim smile.
EXT- BARRICADE- NIGHT
The MEN and SOLDIERS wait behind the trees with stone faces, watching the shadow, hands tense on sword, bow, and ax. There at the front-line, silence reins.
EXT- SHADOW ARMY- NIGHT
Beyond the grunting, snorting HORDE, ISAGOTH the dragon marches up. The beast flares its nostrils, calm in its ferocity as SARGOS tightens his gloves.
Hooves clapping the dirt, ALDRIC clambers his horse next to him. The horse snorts. The dragon trumps it.
His temper smooth and exacting, Aldric doesn't wait.
|
SARGOS
Recon has detected multiple
cannon battlements: all aimed
skyward.
|
|
|
SARGOS
They know our ways, my lord.
|
|
Aldric turns to him with his all too arrogant smirk.
Sargos speaks into his helmet.
|
SARGOS (into radio)
Bravo/Alpha: copy?
|
|
EXT- SKY- NIGHT
The DRAGONS skim the sky in THREE-SET formations. One set takes the lead, their RIDERS in steady command.
A blue light flares under BRAVO LEADER's control yoke, searing the beast's skull, making it roar. But another electrical shock forces it to submit and slow.
|
BRAVO LEADER (into radio)
Alpha/Bravo, we copy: form and
stand by.
|
|
The other SQUADRONS flank them in the distance.
|
CHARLIE LEADER (on radio)
Bravo/Charlie: ready.
|
|
|
DELTA LEADER (on radio)
Bravo/Delta: taking rear.
|
|
EXT- BATTLEFIELD- NIGHT
Gaze on the Cathay keep, SARGOS gives the order.
|
SARGOS (into radio)
Acquire artillery. Focus on
forward batteries. Engage.
|
|
|
LEADER (on radio)
Copy. We've got the ball.
|
|
He looks to ALDRIC who turns to Cathay.
EXT-BALCONY- NIGHT
In the brushing breeze, RHINEBACK snarls against the silence.
|
RHINEBACK
What are they waiting for?
|
|
Her attention set on the battlefield, AGATHA coolly responds.
Taking note, BOB scans the horizon, seeing nothing move.
She looks back to JOHN whose stare hasn't left her and winks. Realizing, his face pulls tight. Rhineback gets it too and gazes to the kingdom in sheer dread.
EXT- BUILDING TOP- NIGHT
A SOLDIER spies upward through his monocular, spotting something truly horrifying in the air. In his terror, he screams.
Suddenly, him and the high mounted cannons explode as THREE DRAGONS rocket by. Wood, steel, and men fall burning.
In the distance, more turrets go up in smoke, marked by mere glimpses of the soaring beasts.
EXT- BALCONY- NIGHT
Glowing plumes spark and fade in ash as the DRAGONS dispatch their targets at lightning speeds.
RHINEBACK is left dumbfounded. Before him months of preparations and strategy pounded away in moments.
EXT- CATHAY- NIGHT
|
Finally, cannons are fired. MEN spin the turrets, load, and let loose their missiles.
But they miss always. The DRAGONS are too swift and their RIDERS too keen.
EXT- BUILDING- NIGHT
Lighted by a growing holocaust, MEN race artillery down tracks, shooting a ball ahead of the incoming DRAGON.
It dives to safety, making way for another DRAGON to slam the inferno on them. The former slows to the side and washes the building with fire.
The MEN inside and out shriek, consumed.
EXT- BUILDING- NIGHT
A cannon on wheels is spun and aimed. MEN scream and struggle at the gears. The barrel fires, the DRAGON flying around the shot with ease and blasting.
|
|
The building blazes with the others, all artillery left to smolder.
|
BRAVO LEADER (on radio)
Alpha/Bravo: targets down,
moving to attack Zulu.
|
|
The SQUADS split and form double teams, diving for targets almost at random.
EXT- BATTLEFIELD- NIGHT
Cathay is in flames before ALDRIC, but he does not smile. Instead, he just responds with his common cold calculation.
SARGOS nods and draws from his belt a rig enhanced air horn. He sounds the call.
EXT- BALCONY- NIGHT
The screeching horn echoes across the kingdom, all the way to Cathay Keep.
But what comes after chills AGATHA.
A legion of banshee shrieks. The shrill warns her, she knows their name.
EXT- BARRICADE- NIGHT
At the barricade, ARCHERS fill the sky with arrows, trying to stop the DRAGONS as they light the spiked trees. Then they leave, letting them MEN stew in quiet.
But it's not quiet for long. Though the fire blocks their vision, the men can hear.
Beyond the flames, beyond their gaze, it's growing louder. This wicked banshee flood is coming.
And then it was here.
|
Above the SOLDIERS, it crashes in, flying from a powerful leap, a crazed BLACK BEAST. Landing on them, it mauls a dozen men in an instant.
The men jump to the barricade, hitting the BEASTS with every blade they have. But no stab or slash slows the storm. Swords sticking out of them, the beasts don't stop. Instead, long pick teeth cracking limb and head, they trample and slaughter the entire human force in pure animal madness.
The few men left, to live at all, scurry back to Cathay Keep as hundreds of black beast pour over the barricade and into the kingdom.
|
|
EXT- BALCONY- NIGHT
The destruction has left RHINEBACK frozen. He doesn't even twitch to AGATHA's sly voice.
|
AGATHA
You see what needs to be done.
|
|
Still he's paralyzed.
|
AGATHA
(cont'd)
Rhineback!
|
|
His pale face snaps to her.
Almost in tears, he scowls.
|
RHINEBACK
Why do you want it so much?
|
|
She lets him search her eyes, forcing her sincerity to the fullest.
|
AGATHA
For your reasons: to keep it
safe.
|
|
|
RHINEBACK
I...already have men selected...
but I need you too. Everyone I
can get.
|
|
With genial passion, she holds his hand, securing their trust. One last look to the battle and RHINEBACK is off, bringing all his TROOPS.
Her face twisting foxy again, she gestures to JOHN and BOB.
Nowhere else to go, John follows. But Bob remains on the balcony with an ever-hardening glare.
EXT- INNER WALL- NIGHT
A BLACK BEAST mounts a burning wagon and, with a machine gun slung from its side, shoots the fleeing MEN.
From the gallery, ARCHERS try to cover their race to safety, but the horde is eating them alive. The CAPTAIN sees them with trembling panic.
|
CAPTAIN
Get a ladder down there!
|
|
MEN on the gallery run a ladder to the edge, aiming for the screaming wounded below. But, to all eyes, a swooning DRAGON appears from the dark above.
Undaunted by the arrows, it blasts the wall, shattering the ladder and cooking the helpless men climbing.
The Captain, men and archers have ducked, still sizzling. Hopelessness over-taking, they turn to their leader, only to find him shaking.
But he fights it, forcing the spasms to be the engine of his rage. He screams with the one word he has left.
At once, every archer faces the edge, launching missile upon missile into the flux of the charging horde.
But the DRAGONS float to the gallery, their inferno already roaring down.
INT- CATHAY KEEP- NIGHT
JOHN hits the wall, slipping as the castle tremors. AGATHA catches him, but her gaze is on RHINEBACK. Recovering their steps, the TROOPS unlatch the oaken door and heave it open.
Beyond it, lighting them all is the KEY. Standing tall, Rhineback enters with two half bowing troops. Agatha takes John's hand and, in feral giddiness, pulls him into the brilliance.
INT- SHRINE- NIGHT
The KEY glows in a brightness worthy of legend, making the TWO SOLDIERS line the wall. But RHINEBACK, AGATHA, and forcibly JOHN remain close to its pedestal.
With a wave, Rhineback conjures a graphic consul, the hologram scanning his palm. Nonchalantly, Agatha positions herself behind John and, exploiting everyone's awe as distraction, slips a hand into her dress.
The castle shakes again.
|
JOHN
Whatever you're doing, make it
fast.
|
|
|
RHINEBACK
Some things take time, especially
a thing as magnificent as this.
|
|
Holographic windows are opened. Icons are selected. Settings are made and "OK'ed."
A bar time is stretching, but doing it slowly. More flames rattle the room, glaring through the sunroof and reflecting red hues from solar panels.
John peers to the hell storm above. But Agatha keeps her sharp eyes on the key...and the troops...and Rhineback...and John.
|
RHINEBACK
A power hundreds of years old:
thousands ahead of you.
|
|
To that, the pedestal snaps open, releasing the arm that lowers the key to Rhineback's awaiting hand.
|
RHINEBACK
Where you will take it, I don't
know. The fate of the world
rests in your hands.
|
|
|
SOLDIER
Thank you, your majesty.
|
|
From his palms, he gives the soldier the key. To which they and the other soldier wind up shot down, a bullet in the head for each.
Claw pinning his jugular, John is trapped in Agatha's embrace, eyeing the smoking gun in her hand.
INT- CATHAY KEEP- NIGHT
The SOLDIERS look to the shrine - to the shots fired.
INT- SHRINE- NIGHT
Fingers still clamped on his throat JOHN struggles with AGATHA's iron grip.
|
JOHN
You really are a witch.
|
|
She tosses him away. Tearing off her dress, she reveals her boa-skin leggings lashed to the knees with out-of-time firepower.
With the clicks of machinery, she hoists the machine gun and smiles.
|
AGATHA
(cont'd)
I'm a sorceress, child.
|
|
The SOLDIERS crash in, running into her shrilled stream of fully automatic lead pain.
Slinging and snapping her suspenders, Agatha looks like medieval SWAT looming over Rhineback. Blood laces his half-hidden face. He doesn't move.
|
AGATHA
(cont'd)
Rhineback was a liability. He
would have slowed us down.
|
|
She takes the KEY and holsters it, looking to the still shocked John.
Tugging her head, Agatha eggs him to follow her. But it's meant more as a command. Reluctantly, John grabs a sword, but stops, looking around.
EXT- INNER WALL- NIGHT
BLACK BEASTS scale the wall as MEN try to fend them off with blade, arrow, and hot oil. The creatures scream with steam and protrusions, but it only makes them climb faster. Not one falls.
Another DRAGON makes it fiery pass, launching even more men from the gallery.
Racing in vain, MEN run back and forth to re-supply the wall. But one MAN runs into BOB, the man being flipped as Bob steals his sword and knife.
He then takes down an archer, grabbing the bow and quiver.
TWO more DRAGONS flash by, whittling down the resistance one pass at a time.
Climbing to the gallery, he removes a small pouch with fuse from his satchel. It's tied to an arrow and lit from a torch.
The next DRAGONS are coming. Bob hangs back under cover.
Some SOLDIERS watch him now. The dragons come, hitting the wall. MEN duck or are thrown. But Bob just smoothly pops an arrow into one of the beast's sides.
The dragons soar off, seemingly unscathed.
|
SOLDIER
A great deal of good that did.
|
|
Bob rigs the next arrow.
EXT- SKY- NIGHT
The DRAGON DOUBLE TEAM fly close. The RIDER spots the burning arrow in the PARTNER DRAGON's ribs.
|
RIDER (on radio)
Your side!
|
|
The pouch explodes, igniting the dragon's glands. The beast bursts into flames, crashing into the other.
EXT- CASTLE WALL- NIGHT
The SOLDIERS see the DRAGONS explode in mid-air. The one SOLDIER beams back to BOB. But his smile drops.
In an instant, Bob has thrown a knife into one oncoming BLACK BEAST, striking it down and another BEAST with his sword. His strikes are swift and to their bare throats, fatal his first blow.
And, yet still, they kick and dance.
After a few more stabs into the stubborn beast, Bob turns to him: stoic.
EXT- BATTLEFIELD- NIGHT
ALDRIC watches another DRAGON burst in the air, crashing hard. He speaks to SARGOS.
|
ALDRIC
That was fairly professional.
Deal with it. The wall too.
|
|
Sargos snaps down his visor and backs ISAGOTH away.
Keeping his eyes on Cathay, the wind beats Aldric's hair, the shadow of the dragon swooning over.
EXT- INNER WALL- NIGHT
BOB jumps from a fireball, sending an arrow to the DRAGON.
It drifts away, but is suddenly stunned by its own explosion. The body lands on the BLACK BEASTS.
The SOLDIERS cheer, diving back into the scaling frenzy.
Not skipping a beat, Bob readies another arrow.
He stops though, feeling the wind. Gazing high, he spies the enormous ISAGOTH.
The beast swerves, aligning itself to the wall. Watching, Bob pulls his arrow and aims the bow. Other ARCHERS do the same.
EXT- ISAGOTH- NIGHT
Bringing ISAGOTH in slow, SARGOS slides his rifle from the saddle. Yanking up a bracing bar, he takes aim.
EXT- INNER WALL- NIGHT
Arrows flaming, BOB and the ARCHERS wait for the DRAGON to reach range.
But it's gotten quiet.
Bob looks to the SOLDIERS. They're not fighting. The BLACK BEASTS have moved back.
With only a zip and punch heard, an archer falls, then another, then another.
EXT- ISAGOTH- NIGHT
SARGOS racks a fourth round and picks off a fourth archer.
EXT- INNER WALL- NIGHT
As another ARCHER snaps back, BOB looks to a SOLDIER.
EXT- ISAGOTH- NIGHT
As SARGOS shoots the fleeing SOLDIERS, Isagoth's glands swell big.
EXT- INNER WALL- NIGHT
BOB and MEN scurry from the gallery as yet another MAN is sliced by sharp lead.
Hovering just above, the DRAGON is there.
EXT- ISAGOTH- NIGHT
Slinging the rifle, SARGOS kicks the dragon's glands.
EXT- INNER WALL- NIGHT
But, instead of hitting the wall, ISAGOTH's infernal ram slams through the gate, launching searing flames across the court.
There's silence. BOB and the MEN are frozen in the calm. Then the howls come. From the fire, machine gun rounds dart in, piercing through SOLDIERS and their shields.
Not a word shouted. Everybody runs into the keep, the BLACK BEASTS already charging against their heels.
INT- CATHAY KEEP- NIGHT
From the second flight, AGATHA stops with JOHN, seeing the MEN rush in. BOB escapes the crowd, spotting them above.
He looks at John and shakes his head.
In the corridor, the keep's last defensive portal, SOLDIERS ram the first gate shut. The rest slam down a portcullus at the other end. It creates a shooting gallery and ARCHERS line up the grates.
Moments later, the first door explodes in fire, ISAGOTH backing off to let the BLACK BEASTS flood in.
And they come, hundreds of them, rampaging straight to the grate. Archers shoot, hitting what they can. But soon the writhing horde rams the portcullus, almost knocking it down on the first punch.
Swords stab through both sides as claws, hands, steel, and teeth gnaw at the metal braced wood frame.
John and Bob follow Agatha to a door at the other end. She tries it.
Pulling an all-purpose skeleton key, John picks the lock.
Above the corridor, MEN dump vats of hot oil on the beasts below, but it only makes them beat harder.
|
AGATHA
(cont'd)
Hurry up.
|
|
He opens the door, but it's braced on the other side. So he rams in. Still no go.
The gate is rocking. Dust is raining on the men. A soldier's head is grabbed and bled.
|
AGATHA
We're going to die here!
|
|
Whipping out his sword, John tries to lift the brace up.
It's locked in on the other side.
|
JOHN
You gotta being kidding.
|
|
Machine gun fire blasts around the gate and it falls. The men are engulfed. Finished in a heartbeat. Not one is left standing.
And that rolling, shrieking mass is pounding right to them. But Agatha has a surprise - grenade launcher.
Whipping the sleek barrel from her side, she pummels the horde with blast upon blast. Parts fly as explosions burrow. Through the smoke, despite the beasts' relentless charge, she's holding back the wave.
EXT- CASTLE- NIGHT
The thunder is heard, the biting sounds undeniable: technology. SARGOS dismounts, slapping that war helm on.
Without a care or fear, he's marching in to answer this question.
INT- CASTLE- NIGHT
|
Grenades spent, AGATHA lets the strapped gun swing, grabbing the machine gun.
With that heavy rat-tat-tat, she again keeps the BLACK BEAST stampede at bay. And, though many are dead, still many remain, and all are coming.
His sword still wedge in the door, JOHN struggles for dear life to get the brace to budge.
Against that bullet beating, those beasts claw forward, each one not stopping until life is impossible. But as the mass closes, Bob is getting bold. Taking his chance, he dives into them.
From the flood, Bob manages to snatch and wrestle one still kicking beast. It flails wild in his arms, taking Bob into a leaping roll.
|
But it's taking him to where he wants - the door.
John looks then dives, just escaping as Bob sends the whirling beast through the oak. To its mad throws, the wood explodes, the door gone in an instant.
Its purpose done, Bob thwacks his sword, splitting the neck. To his luck, it dies then.
Grabbing John, they go, Agatha guarding the way. But she can't flee. If she turns, the monster's wave will swallow her.
She must fire on.
But the gun stops.
Now the raging shrieks arrive to devour her.
Yet, in that sudden moment, a scream is heard: the god's voice of an air horn.
|
And it all stops, the beasts own psychological conditioning forcing their straining limbs back. They slump, gurgling chests heaving, and wait. But, blood lust not cooling, their black eyes find her, armor pick teeth hissing red.
Still, they wait. One of their masters has order them to. That hyena/shark face grins, being found by her drifting gaze - an old friend, SARGOS.
He's at the other end, horn held high, sighing relief: so very glad to see her, and so very glad to see the KEY hanging from her belt.
Open hand extended, he commands her with thanks.
|
SARGOS
Bring me the key, Agatha.
|
|
But her head drops, puzzling him. Before Sargos and a hundred furry maniacs, she breathes deep her courage: for the choice she's made can no longer hide.
Exhausted smile rising, Agatha faces them and, letting her betrayal be known, gently flicks him off.
|
And then she runs: real fast.
Now it is known. Two snaps and a point, and Sargos allows the horde to surge with all fury after her.
INT- CORRIDORS
Racing, AGATHA catches up with JOHN and BOB. Reloading the grenade launcher, she whips around, sending two punches to the ceiling, caving it in.
Turning a corner, they reach another door, pushing it.
|
AGATHA
Right here, I'll need some time
though.
|
|
To that, he points to Bob.
No answer, he just moves back to the impending swarm.
|
AGATHA
Then he's an idiot.
|
|
|
JOHN
Well, yeah, but he's also the
greatest warrior on the planet.
|
|
INT- CORRIDORS
Squirming and wiggling, dozens of BLACK BEASTS break the cave in, opening it to the not stopping, never silencing horde.
INT- PULLEYS- NIGHT
AGATHA leads JOHN into a room with a pit. Extending from the hole are ropes that go from the very bottom of Cathay Keep to the absolute top.
|
JOHN
This is your way out?
|
|
|
AGATHA
It's used to carry building
supplies to the top. I just need
to find the right rope.
|
|
To her shock, RHINEBACK stumbles out of the shadows, her bullet lodge in his thick steel and gold crown.
Agatha gets her gun. A SOLDIER knocks it down the pit. But she's fast, slicing open his throat.
Still there's more. CATHAY MEN: all with pick, ax, and sword; fresh of battle and there to do but one thing.
|
MAN
Time to dispatch your curse for
good.
|
|
She's already nodding up her fury.
|
AGATHA
All right, you want to see the
witch in me. Here she is.
|
|
Screaming as wild harpy, she's flying to them, blades drawn, ruthless for their hides.
INT- CORRIDORS
BLACK BEASTS race past the pit corridor, too frenzied to hear the swordplay. But SARGOS does.
Pick extended, he blocks the last BEASTS charge and brings them to that door.
But, stepping before them, is but one man in their way - BOB. Sword at his side, he is merely waiting.
And Sargos almost laughs.
|
SARGOS
You want to die, boy. Enjoy.
|
|
Snap, point: the beasts are shrieking to target.
Sidestepping, Bob slices them on the fly. Undaunted, they dive back.
Bob keeps carving.
A beast leaps to him, Bob swinging the blade right through its belly. But the entire horde, despite those wounds, are still at him.
INT- PULLEYS- NIGHT
A SOLDIER is upon JOHN, the two dueling hard, John getting cornered. The blades come close and he grabs, not giving the soldier the distance to strike. Rolling along the wall, they're grappling.
Having gone low, AGATHA scurries to the MEN's center, rising with flashing steel. From their swinging hands, she's snatching their weapons, using them against their owners.
Those men, determined to heart's core to end her, fall: raw metal having speared them through. Laced in red, she stands, her brutal madness having triumphed.
Spotting John's opponent, with a quick fling of hand, she has sent a dagger spinning into his back. The man seizes, now an easy catch for John's sword.
Still, there is one left, frozen to trembles at the knees. Cold wolf eyes finding him, Agatha sees who it is: her BOY RETAINER. And it makes her cringe.
|
AGATHA
You should run, pup.
|
|
He raises his sword.
|
AGATHA
(cont'd)
Please...
|
|
Shouting his courage, he comes still and Agatha accepts. Pained snarl creasing, her blade punches through, impaling him, putting him to the wall.
A maternal peck to his quivering cheek and Agatha holds him, lets him die in her arms. But still she hears, still listens: to the cowering RHINEBACK taking sword from the dead.
She faces him, yet to let her boy go, halting Rhineback's advance with that sharp wolf stare.
|
AGATHA
(cont'd)
Now you raise a sword.
|
|
|
RHINEBACK
I should have never let you in.
|
|
She loses the boy and, with all fours and without sword, pounces on him, pinning him to the ledge.
To his gasp, her fingers have stabbed deep into his neck. She squeezes. Gurgling away, he spasms beneath her, being drained by her rage: a rage that cracks her fake teeth.
She spits out the thin ivories, finally revealing her silver fangs and finally letting Rhineback's corpse fall down the ropes.
John is left as witness - next to enter her blood lust gaze.
INT- CORRIDORS
Its neck spraying scarlet, a BLACK BEAST darts, pouncing right back to BOB. He dodges it, chopping ANOTHER, rolling under the NEXT, and severing the head of the LAST.
That one falls. And, though all should be dead, still the BLACK BEASTS fight. So, Bob greets them with steel again.
One beast hits the wall, almost empty of blood. As its last play, the thing dislodges the gun strapped to its back and clumsily aims. Grappling with another beast, Bob spots the gun.
Swiftly, he deflects the flaring machine-gun to the ceiling and seizes it.
Using the beast's own gun and its own body, Bob whips it around and shoots his foes. Stepping behind the corner, SARGOS escapes the fire but the beasts don't.
Now they fall. Bob, shoving the one he holds, retrieves his sword and stabs it in the neck. A twist, a yank, and a spin and the beast's head twirls from its shoulders.
Bob's red-speckled scowl turns to Sargos's clapping, the man/beast coming for him with an easy gait.
In either hand, come drawn his choice: pick and chopper.
|
JOHN (os)
Bob, get your butt moving!
|
|
With his sword, he gives Sargos a steel salute.
Sargos returns it by flinging both weapons at him. Slapping them away, Bob smiles and runs.
INT- PULLEYS- NIGHT
Sword trailing, BOB leaps onto the ropes with JOHN and AGATHA, cutting one. Snapping, it releases, sending them flying to the top - just missed by Sargos's arriving claws.
But he still has his radio. But it's not working. But Sargos has a stone ledge to smack it on.
He wins. It crackles.
|
SARGOS (into radio)
Target's at keep high tower.
Get them.
|
|
A watery voice screeches back.
|
HAWK (on radio)
Alpha/Hawk Delta: I am engaging.
|
|
EXT- CASTLE TOP- NIGHT
Thudding into the pulleys, JOHN and BOB already see the DRAGON coming.
|
JOHN
Wow, word spreads fast?
|
|
|
AGATHA
Wonders of the past.
|
|
Whipping it from her suit, AGATHA slaps a strap into Bob's hand. Looking over, John finds the rope barring flags leading from there to the stable below.
At full charge she rams him, locking him between her legs and, strap burning rope, she takes him into open air. Hugging for dear life, John clings to her torso, riding the line down with her and Bob.
Zeroing in from above is the dragon. It fires. They let go, flames nicking them on their crash through the stable's roof.
INT- STABLE- NIGHT
BOB and AGATHA emerge from the soft hay. But JOHN groans from his hard dirt landing. Still, Agatha yanks him up and they run.
Behind them, the walls explode.
Grabbing and dragging screeching horses, John and Agatha mount quick and ride, passing a still marching Bob.
From the squealing chaos, a steady black bulb finds him: as calm as ever despite an inch from death - LUCY.
Teething off her reins, his girl is galloping to and around him. Bob takes hold, hoisting himself up and on.
And they're charging, just escaping the next onslaught of hot billows.
EXT- CATHAY KEEP- NIGHT
On open grass, BOB stops LUCY, eyeing the sky.
JOHN and AGATHA look back, desperate to flee.
Pulling his bow, Bob is just watching the DRAGON swoon in.
|
BOB
Keep going. I've got this one.
|
|
They speed away, leaving Bob to his quarry.
Drawing and stringing his bow, Bob tracks his target dragon. A kick to Lucy, and they race for a fight.
The great bat descends, strafing the ground, rocketing right to Bob. Lucy dives, just ducking the teeth.
From the ground, shaking dirt from his hair, Bob finds his dragon, scowling to Lucy.
|
BOB
Girl, light your fight.
|
|
To his call, she stands, Bob riding her up all the way. Tossing the reins, eyes on the returning dragon, Bob draws his arrow.
He pats Lucy taunt neck and she lunges to the incoming beast. It's a joust, the dragon already pounding flames upon them. But Lucy is leaping, diving; escaping every earth lifting blast.
Again, the animals part, both swinging back for another run.
His hands free, Bob twirls his arrow, pulls, and aims. At a lightning pace, the dragon is on them, vomiting its inferno.
At blast's edge, he launches his arrow. Through those flames it pierces, the arrow's long tip, drilling straight to the sky.
Hooves gnawing dirt, Lucy faces Bob to the dragon; just in time to watch it spin headfirst into the keep.
It smacks, falls, crashes. Done.
Bob spits to a hard job done well. Lucy spits too. But he doesn't know why. Lucy snaps, her head barking wild. Still, Bob's not sure...
Then he smells it: hears the crackle.
Peering to her ass, Bob finds her tail burning. Sighing, he smacks the blaze out and smirks. His grin to Lucy though is jerked away. He's thrown back, almost off as she juts into a gallop, his girl not wanting to hear a word.
Lucy says nothing.
And they go, casually fleeing the hellish war behind.
INT- BOTTOM OF THE PULLEYS- NIGHT
ALDRIC crouches over the dead RHINEBACK, admiring the broad tear in his neck.
|
ALDRIC
So much for patience.
|
|
In lament, soft and kind, he closes the man's eyes.
|
ALDRIC
(cont'd)
I'll keep your promise.
|
|
From behind, PRIESTS are dragging HELGA to his feet. They drop her, hands keeping her at bay.
|
PRIEST
We found her where you said.
She had these with her.
|
|
Unraveling a bundle, they present to Aldric a small, but efficient arsenal of guns and blades. But he waves it off: waves the men out.
They leave them alone: leave Helga to face a father's loving stare.
|
HELGA
You knew. Our whole plan... How?
|
|
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ALDRIC
I'm just the world's greatest
guesser. So, why is she? What
have I not given her?
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She replies with only a scowl. Aldric returns only his understanding smile.
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ALDRIC
(cont'd)
She's lashing out. Youth. She
still has a home though.
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Helga tries to debate, but he stops her.
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ALDRIC
(cont'd)
I can't lose both her and the key.
Help me bring her home.
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Though kind, though gentle, those eyes, his eyes, pierce deep. Feeling cold, feeling naked, Helga can't look at them.
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ALDRIC
(cont'd)
Where is she going?
|
|
Still, she won't answer. Like a shadow, Sargos is in the corner - the typical sibling sell-out.
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SARGOS
There's two others with her: men.
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Aldric stalls, that word weighing in.
This faults Aldric's caring, it fading to his more predator insides. And Helga, in childish spite, twists the knife.
|
HELGA
You know, I think she has a liking
for one of them.
|
|
Liking the spark she sees, Helga gives another dig.
|
HELGA
(cont'd)
Who knows? Might be love.
|
|
Now, she's proud, not realizing the monster she woke.
She can't.
Eyes stumbling, Helga only looks to the floor. She won't.
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ALDRIC
(cont'd)
Then pray.
|
|
Aldric is up, flowing out on a storm of a march.
EXT- CATHAY KEEP- NIGHT
In a monotonous clamber, a wagon is pulled into the court. Stacked in the reinforced wood bed are steel tubes. PRIESTS hoist out and stand one.
Above them, ALDRIC and SARGOS watch.
|
SARGOS
Is this going too far?
|
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ALDRIC
She's resourceful. Besides, I
didn't sick the black beast on
her.
|
|
This catches Sargos, making this dog flush with dread.
His head bows, averting his eyes in obedience.
|
ALDRIC
Don't beg. Just think.
|
|
The tube's hatch is lifted. A timed lock is wound. And the priests get back... far away.
Spitting wet hisses, the tube splits. From the black inside, eyes creak open and glow.
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SARGOS
I did see her betray you.
|
|
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ALDRIC
Nobody betrays me, Sargos. They
just work for me without knowing
it. She'll survive. With any
luck, she'll be the only one.
|
|
Within the darkness, wings rustle then buzz, the sound whirling into a sheer screech. Then it pours out - WASPS.
A whole swarm of mutated carnivorous fairies: blasting into the air and arching skyward.
|
ALDRIC
(cont'd)
Should be easy to find. Just
follow your nose.
|
|
He leaves Sargos to watch the hundred bugs vanish under the moon.
EXT- WOODS- NIGHT
Now, in the quiet of the night, JOHN and BOB ride silently behind AGATHA. But John breaks it with a whisper.
|
JOHN
Let's say we ditch the psycho.
Get our butts out of here.
|
|
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JOHN
Right, save the world? You don't
even know what that does.
|
|
Agatha stops, letting John catch up.
|
AGATHA
I told you what it is.
|
|
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JOHN
Fine, I just don't believe you.
|
|
|
AGATHA
Didn't you ever want to fight
for something?
|
|
|
JOHN
Like you said, I know better.
|
|
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AGATHA
See that mountain. Get me there
and you can go. Head back to the
castle, they'll have plenty of
carrion there.
|
|
She rides on.
|
JOHN
You... you can't guilt me!
|
|
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AGATHA
No. Not a man like you.
|
|
John sighs, left to face Bob's stare.
Not a word, he leaves him too.
|
JOHN
(cont'd)
For crying out loud.
|
|
But LUCY stops, her bulbous eye staring past John. She's tensed, feeling something new. So, Bob and Agatha look with the horse.
Then John hears it - the buzzing.
He gazes over his shoulder. A shadow is engulfing the forest. He can't make it out. But it looks like...
|
She bolts. John and Bob going right after her. All of them flee from the hundred of tiny flying ferocious bug men WASPS.
They crash through the thickets as the swarm surrounds them. The tongues have spikes, cutting John's cheeks and arms. He swats, grabs and throws.
Bob crushes one in his hand, tossing Lucy's reins.
He grabs Agatha's mare and forces it along. The horses pound as hard as they can, the swarm crawling all over them.
Lucy finds water. Her clearing is a swamp. Bob takes Agatha with them into the bile. John nosedives himself with them.
The other two horses keep running - the swarm following.
|
John and Agatha in either hand, Bob rises out of the muck. Lucy shakes her hide.
|
JOHN
Those weren't fairies.
|
|
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AGATHA
No. They were fairies. Aldric...
Aldric makes everything a weapon.
|
|
|
BOB
No. I mean really tired.
|
|
|
JOHN
You got a point. Agatha?
|
|
|
AGATHA
They're poisonous.
|
|
That being said, she collapses.
The swarm is coming back.
He falls too. Bob soon follows.
And the wasps swoon in.
But they are knocked back by a worse screech. The awful noise makes them scurry away as fast as they came.
A hand in the dark lowers the horn. Its owner then finds the stumbling Lucy. That same hand gives her a shot. The horse jitters, still shaky.
But the man holds her, helps her sway back to normal, smiling kind behind the puss and boils.
MAGWITCH.
|
MAGWITCH
No, don't sleep. I need your
help.
|
|
He looks down to the three heroes limp in swamp goo and sighs.
|
MAGWITCH
(cont'd)
What a mess.
|
|